(Bio as of August 2015)
Christine Pascual most recently collaborated with the Goodman on the workshop productions of Feathers and Teeth, Carlyle and The Magic Play for the New Stages Festival 2014. Other Goodman credits include New Stages 2012 and 2013; The Happiest Song Plays Last; Fish Men; El Nogalar; Massacre (Sing to Your Children) (co-production with Teatro Vista); Congo Square Theatre Company’s Black Nativity and Joe Turner’s Come and Gone (co-production with Congo Square Theatre Company). Chicago credits include The Projects, The Royale, Welcome to Arroyo’s, It’s a Wonderful Life, True West, Topdog/Underdog, The People’s Temple and Living Out (American Theater Company); Tamer of Horses, A View from the Bridge and Between You, Me and the Lampshade (Teatro Vista); Disconnect, The Elaborate Entrance of Chad Deity, Relatively Close, The Romance of Magno Rubio, Hambone, Blackbird and We are Proud to Present... (Victory Gardens Theater); Bud, Not Buddy (Chicago Children’s Theatre); Trevor, Simpatico and Megacosm (A Red Orchid Theatre); Tigers Be Still (Theatre Wit); Sizwe Banzi is Dead, The Piano Lesson, The First Breeze of Summer and Flyin’ West (Court Theatre); Our Lady of the Underpass (16th Street Theater and Teatro Vista); The House on Mango Street (Steppenwolf Theatre Company); Sanctified, St. James Infirmary, Seven Guitars, Elmina’s Kitchen, From the Mississippi Delta and A Soldier’s Play (Congo Square Theatre Company); Ten Cent Night (Chicago Dramatists) and Elliot, A Soldier’s Fugue (Rivendell Theatre Ensemble and Teatro Vista at Steppenwolf Theatre Company). Off-Broadway credits include The Elaborate Entrance of Chad Deity at Second Stage Theatre. Regional credits include The Island at American Players Theatre; Fences at Virginia Stage Company and Joe Turner's Come and Gone at Centerstage. Ms. Pascual was a 2010 Henry Hewes Design Award nominee and an exhibitor at the 2011 Prague Quadrennial and the 2012 United States Institute for Theatre Technology conference.
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