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Ma Rainey’s Black Bottom

Mar 28 – May 3, 2026 in Goodman's Albert Theatre

Around 2 hours and 30 minutes, including one 15-minute intermission


EXTENDED BY POPULAR DEMAND THROUGH MAY 3!


“The more music you got in the world, the fuller it is.”

Ma Rainey’s band is waiting. It’s 1927 Chicago, and “The Mother of the Blues” takes her time getting ready to record. Tensions and temperatures rise as the musicians recount tales of rage, joy, betrayal and faith in astonishing stories and a heart-stopping climax. Chicago legends Chuck Smith and Harry J. Lennix reunite for the play that smashed box office records in its 1997 Goodman premiere for this major revival of “a genuine American masterpiece” (Chicago Reader).

Recommended for ages 14+

Ma Rainey’s Black Bottom contains themes of racism and includes racial slurs (the N-word), strong profanity, acts of violence, intimate moments of kissing and discussions about sexual content.

August Wilson's Ma Rainey's Black Bottom | Scene 3 | On Stage Through May 3 | Goodman Theatre
August Wilson's Ma Rainey's Black Bottom | Scene 2 | On Stage Through May 3 | Goodman Theatre
August Wilson's Ma Rainey's Black Bottom | Scene 1 | On Stage Through May 3 | Goodman Theatre
August Wilson's Ma Rainey's Black Bottom | On Stage Through May 3 | Goodman Theatre
Ma Rainey's Black Bottom | Director Chuck Smith Interview | On Stage - May 3 | Goodman Theatre
Ma Rainey's Black Bottom | Harry Lennix Interview | On Stage Through May 3 | Goodman Theatre
Ma Rainey's Black Bottom | Montage | Extended By Popular Demand Through May 3 | Goodman Theatre
Ma Rainey's Black Bottom | E. Faye Butler Interview | Mar 28 – Apr 26 | Goodman Theatre

Group Tickets: Now available for 10+, email Groups@GoodmanTheatre.org for information on select discounted rates and perks.

Questions? Need help? Contact the box office at (312) 443-3800, 12noon – 5pm, daily.

CRITICAL PRAISE

⭐⭐⭐⭐ (OUT OF 4) “LEFT THE AUDIENCE SPELLBOUND.”

Daily Herald

“CHUCK SMITH HAS ASSEMBLED AN ALL-STAR ENSEMBLE.”

BroadwayWorld

“E. FAYE BUTLER IS A FORCE.”

WGN Radio

AL’JALEEL MCGHEE’S “TONY-WORTHY PERFORMANCE IS FAR AND AWAY THE BEST OF THE YEAR.”

Chicago Tribune

“AN ENJOYABLE RIDE” WITH “POWERHOUSE PERFORMANCES”

Chicago Sun-Times

“CHUCK SMITH IS A MASTER AT TAPPING INTO THE MEAT OF EVERY PLAY HE ORCHESTRATES.”

Chicago Theatre Review

“EXCELS ON EVERY LEVEL. THE STRONGEST PRODUCTION I’VE REVIEWED THIS YEAR. IT’S POWERFUL, IMPECCABLY ACTED, AND DEEPLY MOVING.”

Splash Magazines

“A TOUR DE FORCE THROUGH AND THROUGH, AND ONE THAT SHOULDN’T BE MISSED.”

Chicago Reader

“OUTSTANDING…THE SEMINAL EVENT OF THE SPRING THEATER SEASON.”

The Times Weekly

“A MASTERPIECE TRIBUTE TO AUGUST WILSON.”

Curtain Call Chicago

“IT’S HARD TO IMAGINE A BETTER VERSION. EVERYTHING ABOUT THIS SHOW IS SIMPLY GREAT.”

Newcity

“PERFECTLY PITCHED AND BROADWAY-READY.”

Daily Herald

AUDIENCE REACTIONS

“EXECUTED BRILLIANTLY!”

Nubia P. via Facebook

“THE ENTIRE CAST NEVER DISAPPOINTED…EVER.”

@mcbeebarbara via Instagram

“WONDERFUL REVIVAL. CHUCK AND HARRY OFFER GREATER INSIGHT INTO THE POETRY THROUGH THEIR GAZE.”

Wilson C. via Facebook

Three actors perform on stage; one man gestures with a handkerchief, while a woman in a fur-trimmed coat and another man stand facing him near a wooden door.
(L-R) Marc Grapey, E. Faye Butler, Jabari Khaliq. Photo by Justin Barbin.
A woman in a green and black dress stands at a vintage microphone while a man in the background plays a trumpet.
(L-R) E. Faye Butler, A’Jaleel McGhee. Photo by Justin Barbin.
Four men in vintage suits are on a stage set, one man standing and reading from a paper while others listen; a double bass and piano are visible in the background.
(L-R) Jabari Khaliq, Al’Jaleel McGhee, Cedric Young, Matt DeCaro, Kelvin Roston Jr. Photo by Justin Barbin.

Creative Artists

Choose someone to see their bio and past Goodman productions.

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August Wilson

Playwright

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Harry Lennix

Associate Director/Music Director

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Chuck Smith

Director

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Scott Aiello

Policeman / Understudy Sturdyvant

A woman with curly, highlighted hair wearing a black turtleneck sweater, looking at the camera with a slight smile against a light background.

E. Faye Butler

Ma Rainey

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David Alan Anderson

Cutler

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Matt DeCaro

Sturdyvant

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Marc Grapey

Irvin

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Tiffany Renee Johnson

Dussie Mae

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Jabari Khaliq

Sylvester

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Al’Jaleel McGhee

Levee

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Kelvin Roston, Jr.

Toledo

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Cedric Young

Slow Drag

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Wydetta Carter

Understudy Ma Rainey

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Robert Cornelius

Understudy Toledo

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Isis Elizabeth

Understudy Dussie Mae

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Patrick Newson Jr.

Understudy Levee / Understudy Sylvester

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Joseph Primes

Understudy Slow Drag / Understudy Cutler

Older man with gray hair wearing a dark suit and tie, looking seriously at the camera, set against a dark background.

Ron E. Rains

Understudy Irvin / Understudy Policeman

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Dwight Andrews

Orchestrations

Woman with straight dark hair wearing a black leather jacket over a red top, smiling slightly, standing in front of a green background.

Neena Arndt

Dramaturg

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Anderson Edwards

Bass Coach

A person with long braids, wearing a black shirt, black jacket, and silver chain necklace, poses against a dark background.

Chels Morgan

Intimacy and Violence Assistant

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Marie Ramirez Downing

Vocal Coach

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Lena Romano

2nd Line Producer

A man with short curly hair and a goatee wears a green plaid shirt over a dark t-shirt, looking at the camera against a plain light background.

Greg Geffrard

Intimacy and Violence

A woman with short curly hair, wearing a patterned red scarf and gray sweater, looks at the camera and smiles softly. The background is softly blurred.

Malkia Stampley

Line Producer

A woman with medium-length locs, wearing hoop earrings and off-shoulder clothing, smiles in front of a reddish-brown background.

Lo Williams

Assistant Director

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Rob Milburn and Michael Bodeen

Co-Sound Designers

Headshot of Trey Brazeal.

Trey Brazeal

Assistant Lighting Designer

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Linda Buchanan

Set Designer

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Kim Carbone

Assistant Sound Designer

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Evelyn M. Danner

Costume Designer

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Jared Gooding

Lighting Designer

Lauren Port

Casting Director

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Angela M. Adams

Production Stage Manager

A woman with curly hair, glasses, and a black top smiles at the camera in a close-up portrait against a neutral background.

Imani Ross

Stage Manager

A person with long brown hair, glasses, and a necklace stands smiling in front of a beige stone wall, wearing a brown square-neck top.

Hope X. Still

Stage Management Apprentice

Accessible & Enhanced Performances

Questions? Please contact (312) 443-3800 for voice, or email Access@GoodmanTheatre.org. Visit our Accessibility Overview page for full details.

American Sign Language-Interpreted Performance
Friday, April 17 at 7:30pm

Use code SIGN for $44 ($35 ticket plus $9 handling fee)

Touch Tour and Audio-Described Performance
Saturday, April 18
12:30pm Touch Tour & 2:00pm Performance

Use code AUDIO for $44 ($35 ticket plus $9 handling fee)

Spanish Subtitles Performance
Saturday, April 18 at 7:30pm

Use code SPANISH for $44 ($35 ticket plus $9 handling fee)

Open-Captioned Performance
Sunday, April 19 at 2:00pm

Use code OPEN for $44 ($35 ticket plus $9 handling fee)

OUR CENTENNIAL 2025/2026 Season

For a century, the Goodman has been more than a theater—it’s been the heartbeat of Chicago. Where stories come alive and move us to dream bigger and feel deeper. Here, art doesn’t just entertain you—it awakens. This is The Goodman—where humanity takes center stage. Join us for the Centennial 25/26 Season.