- Tickets
- Memberships & Season
- Engage & Learn
- Your Visit
- Support
- Artists
- About
- Accountability
- Ticket Donation Requests
- Financials
- Rentals at the Goodman
- Our History
- Staff & Leadership
- Join the Goodman
- Press Room
- 2024-2025 Season
- 2023 – 2024 Season
- 2022 – 2023 Season
- 2021 – 2022 Season
- 2019 – 2020 Season
- Hershey Felder as Irving Berlin
- Goodman Gala
- A Paris Love Story
- Bernhardt Hamlet
- The Santaland Diaries
- American Mariachi
- School Girls; Or, The African Mean Girls Play
- Molly Sweeney
- graveyard shift
- Roe
- 42nd Annual Production of A Christmas Carol
- Dana H
- Daughter of a Cuban Revolutionary
- New Stages Festival 2019
- 2018 – 2019 Season
- 2017 – 2018 Season
- 2016 – 2017 Season
- 2015 – 2016 Season
- 2014 – 2015 Season
- About the Goodman
Written by David Mamet
Directed by Chuck Smith
“The dramatic equivalent of a brilliantly rigged minefield”
– CHICAGO SUN-TIMES
“High voltage!”
– CHICAGO SUN-TIMES
January 14 – February 19, 2012 in Goodman's Albert Theatre
90 minutes
Race
This latest work by Pulitzer Prize winner David Mamet ruthlessly examines guilt and oppression via a compelling crime mystery.
Two high-profile lawyers—one black, one white—are called to defend a wealthy white client charged with the rape of an African American woman, but soon find themselves embroiled in a complex case where blatant prejudice is as disturbing as the evidence at hand. With characteristic bluntness, Mamet leaves nothing unsaid in this no-holds-barred suspense story which the Chicago Tribune dubbed “intellectually salacious.”