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As the veteran of more than 60 productions in theaters around the country, Michael was a consummate artist who was equally at home in nearly any dramatic genre, from new plays to classics, grand scale musicals to intimate realistic dramas. The list of his Goodman Theatre credits recalls some of the most acclaimed productions in the theater’s recent history: a landmark Romeo and Juliet, set in Chicago’s Little Italy in 1919; the sumptuous Sondheim musicals Sunday in the Park with George and A Little Night Music; the frantic comedy of Keith Reddin’s Black Snow; the haunting beauty of the musical adaptation of Wings; and the much-lauded world premiere of Rebecca Gilman’s Boy Gets Girl. But there were some common elements to all of his work: a fascination with the human condition in all of its guises; an unerring grace and intelligence; and the passionate belief in the power of the theater to illuminate and transform. Michael directed a total of 22 productions at the Goodman, making him the most-produced director in the theater’s modern era. In addition to his duties at Goodman, he served as the Dean of The Theatre School at DePaul University, which gave him the chance to pass his passion for excellence and his generosity of spirit on to another generation.

In recognition of Michael’s artistry and his dedication to nurturing young artists, Goodman Theatre established the annual Michael Maggio Fellowship. The Maggio Fellow is an emerging career Chicago-based director, who is selected by a panel made up of Goodman artistic staff, Chicago artists, and the current Maggio Fellow.

About the Fellowship

The next application deadline will be in February of 2026. This fellowship is a full-time, year-long, salaried, artistic administrative position starting in August of each year. The position is primarily in-person with some remote options when not actively involved in a production. 

The Fellow joins the artistic staff, with responsibilities that range from administrative tasks; assistant directing or other creative roles on Main Stage productions; reading and responding to script submissions; and supporting and leading producing teams for engagement events, readings, and festivals. The Maggio Fellow will also work with the Northwestern Directing Fellow to produce events that engage local directors and designers and attend locally produced work, as schedules allow, to bring local directors and designers to the theatre’s attention.

The Fellow will be intentionally mentored and supervised by the BOLD Artistic Producer and will have opportunities to work with other artistic and administrative leaders. They will have an opportunity to engage each milestone of all productions during their residency while balancing the administrative arm of a large regional theatre’s Artistic Department.

Compensation is $45,000 annually (full-time, exempt) with employee benefits.

How to Apply and Selection Process

Applicants must be Chicago-based directors who have directed at least two professional (non-academic) full productions.

To apply for the Fellowship, please submit the following in separate pdf files with the applicant’s last name, first name and file description (i.e. “Doe-Jane-RecLetter2.pdf.”):

• A resume with directing and other artistic and administrative experience.

• Selected reviews of previous work (if available).

• At least two letters of recommendation from theater professionals or educators who are familiar with the applicant’s work.

• An artistic statement (no longer than one page) that describes the applicant’s artistic approach, producing interest or experience, and how the Fellowship at the Goodman could help the applicant achieve their artistic goals.

If you have any questions, please reach out to lenaromano@goodmantheatre.org.

The selection process for the 2025/2026 Maggio Directing Fellowship has now closed. 

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Lo williams, 2025/26 Maggio Directing Fellow

Lo Williams is a storyteller based in Chicago who centers work that reimagines, reshapes and reclaims representation in theater for the global majority. With a background in hip-hop theater and new works, she has been involved in the development of world premieres of new Black theatrical productions in the capacities of producer, director, playwright and actor. Selected Chicago directing credits: Rich B*tch (Babes with Blades Theatre Co.); Shakespeare and the Language that Altered a World (Oak Park Festival Theatre). Selected assistant directing credits: Bad Kreyòl (Signature Theatre & Manhattan Theatre Club); Frozen (Children’s Theatre Co.); Joseph and the Amazing Technicolor Dreamcoat (Dallas Theater Center). Williams holds a B.F.A. in Theatre Arts from the Chadwick A. Boseman College of Fine Arts at Howard University. She is an alumna of the National Theater Institute, as well as the Lin-Manuel Miranda Family Fellowship. Read more at lowilliams.live

Past Maggio Fellows

Past recipients of the Michael Maggio Directing Fellowship have included the following outstanding directors: