Michael Maggio Directing Fellowship
Honoring a Great Artist
The death of Goodman Associate Artistic Director Michael Maggio, on August 19, 2000, robbed the American theater of one of its most articulate and versatile directors.
VIRTUAL FELLOWSHIP INFORMATION SESSION – For anyone considering applying
New this year! There will be two virtual Maggio Fellowship Information Sessions via Zoom on February 11th 5:30pm CST and February 19th 5:00pm CST. Attendance is not required to apply. If attending, please attend only one session. The Maggio Fellowship Information Session is an opportunity to learn about the Fellowship, gain helpful application tips and ask questions about the Goodman, the application process and the Fellowship.
RSVP here for the virtual information session. A Zoom link to will be shared via email on the day of each information session.
APPLICATIONS NOW OPEN – Deadline March 1, 2026
A veteran of more than 60 productions in theaters around the country, Michael Maggio was a consummate artist who was equally at home in nearly any dramatic genre, from new plays to classics, grand scale musicals to intimate realistic dramas. The list of his Goodman Theatre credits recalls some of the most acclaimed productions in the theater’s recent history: a landmark Romeo and Juliet, set in Chicago’s Little Italy in 1919; the sumptuous Sondheim musicals Sunday in the Park with George and A Little Night Music; the frantic comedy of Keith Reddin’s Black Snow; the haunting beauty of the musical adaptation of Wings; and the much-lauded world premiere of Rebecca Gilman’s Boy Gets Girl. But there were some common elements to all of his work: a fascination with the human condition in all of its guises; an unerring grace and intelligence; and the passionate belief in the power of the theater to illuminate and transform. Michael directed a total of 22 productions at the Goodman. In addition to his duties at Goodman, he served as the Dean of The Theatre School at DePaul University, which gave him the chance to pass his passion for excellence and his generosity of spirit on to another generation.
In recognition of Michael’s artistry and his dedication to nurturing young artists, Goodman Theatre established the annual Michael Maggio Directing Fellowship. The Maggio Fellow is an emerging career Chicago-based director, selected by a panel of Goodman artistic staff, Chicago artists, and the current Maggio Directing Fellow.
ABOUT THE FELLOWSHIP:
The Goodman is now accepting applications for the 2026/2027 Michael Maggio Directing Fellowship. The submission deadline is March 1, 2026. Please note that the Maggio Fellowship is a yearlong full-time artistic administrative position starting in August. This position is primarily in-person with limited remote options when not actively involved in a production.
The Maggio Fellow joins the artistic staff, with administrative and artistic responsibilities:
The Maggio Fellow will be mentored and supervised by the Goodman’s BOLD Artistic Producer with opportunities to work alongside other artistic and administrative leaders and colleagues.
Goodman Theatre understands that the Maggio Fellow is a working creative and will aim to celebrate and accommodate when opportunities arise; however, the Maggio Fellow agrees to prioritize the Fellowship for the yearlong commitment which may result in limited opportunities to direct or work outside of the Fellowship.
HOW TO APPLY:
QUALIFICATIONS
Applicants must be Chicago-based directors. Applicants must have directed at least two professional (non-academic) full productions and a demonstrated interest in a directing career.
MATERIALS TO SUBMIT
To apply for the Maggio Fellowship, Applicants will submit the following files (pdf) below. Please title each file with the applicant’s last name, first name and description (i.e. “Doe-Jane-Resume.pdf.”):
2. Verification for two productions: In one pdf document (for each production), include the following verification from a full production solely directed by the Applicant:
3. Artistic Statement: Submit an Artistic Statement (400-550 words, pdf) that includes:
4. Conflicts: Submit a separate pdf document listing any conflicts from August 1, 2026-August 31, 2027. Clearly indicate which conflicts are non-negotiable. Some conflicts may be approved, but not guaranteed. If there are no conflicts, please write, “I have full availability for the duration of the Fellowship with no existing conflicts.”
STATEMENTS OF RECOMMENDATION
CONSIDERATIONS
Please note that incomplete applications (including missing letters of recommendations) after March 1st will not be considered for this year’s Maggio Fellowship.
Any material submitted outside of the listed requirements will not be reviewed or considered. Additionally, Applicants must adhere to all page and word limits for the resume (1-2 pages) and artistic statement (400-550 words).
SELECTION PROCESS:
The selection committee, made up of Goodman Staff and Chicago Theater professionals, will review completed applications of all qualified applicants and conduct first round interviews with ten selected candidates. Three finalists will be selected for a second round of interviews with Susan Booth (Goodman Walter Artistic Director), Malkia Stampley (Goodman BOLD Artistic Producer), and Adam Belcuore (Goodman Managing Producer). Additional references may be requested upon completion of an interview.
The goal is to select the 2026-2027 Maggio Directing Fellow by mid-April. The Fellowship will start late August and end August 31, 2027. Exact dates will be confirmed with an offer.
APPLICATION FEEDBACK
Unfortunately, due to the volume of applicants, we are unable to provide feedback for anyone who did not interview for the position. If you were interviewed, feedback may not be provided right away. Thank you in advance for your patience.
If you have any questions, email LenaRomano@GoodmanTheatre.Org

Lo Williams is a storyteller based in Chicago who centers work that reimagines, reshapes and reclaims representation in theater for the global majority. With a background in hip-hop theater and new works, she has been involved in the development of world premieres of new Black theatrical productions in the capacities of producer, director, playwright and actor. Selected Chicago directing credits: Rich B*tch (Babes with Blades Theatre Co.); Shakespeare and the Language that Altered a World (Oak Park Festival Theatre). Selected assistant directing credits: Bad Kreyòl (Signature Theatre & Manhattan Theatre Club); Frozen (Children’s Theatre Co.); Joseph and the Amazing Technicolor Dreamcoat (Dallas Theater Center). Williams holds a B.F.A. in Theatre Arts from the Chadwick A. Boseman College of Fine Arts at Howard University. She is an alumna of the National Theater Institute, as well as the Lin-Manuel Miranda Family Fellowship. Read more at lowilliams.live
Past Maggio Fellows
Past recipients of the Michael Maggio Directing Fellowship have included the following outstanding directors: