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Featuring developmental productions by:
Ike Holter
Bess Wohl
Rebecca Gilman
Readings of new work from:
Christina Anderson
Mat Smart
Mikhael Tara Garver
José Rivera
David Cale
Featuring developmental productions by:
Ike Holter
Bess Wohl
Rebecca Gilman
Readings of new work from:
Christina Anderson
Mat Smart
Mikhael Tara Garver
José Rivera
David Cale
September 20 - October 8, 2017 in Goodman's Owen Theatre
New Stages 2017
Founded in 2004, the New Stages Festival is a celebration of innovative new plays designed to give playwrights an opportunity to take risks and experiment.
Since its inception, New Stages has offered theatergoers a first look at adventurous new plays, many of which have gone on to receive successful full productions at the Goodman and elsewhere—including Lynn Nottage’s Pulitzer Prize-winning Ruined. Please join us for this year’s festival which features an exciting roster of developmental productions and staged readings. See below for a full line-up.
Developmental Productions (Full Stagings of a New Play in Process)
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Lottery Day
By Ike Holter
Directed by Lili-Anne BrownSeptember 20 – October 7, 2017
After an act of violence robbed her of family, Mallory created a new one by opening the doors of her rambling home in a quickly gentrifying neighborhood to a wild array of lonely neighbors, hardcore activists and starving artists. Tonight she is determined to banish the ghosts of her past by throwing a raging party and all of her new family is invited. This is a holiday of her own invention—Lottery Day— and anyone could win but everyone has something to lose. In his latest play, award-winning Chicago playwright Ike Holter weaves together characters from past works including Exit Strategy, Sender, The Wolf at the End of the Block and Prowess, to create a new story about the cost of belonging and the gift of community.
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Continuity
By Bess Wohl
Directed by Annie TippeSeptember 22 – October 8, 2017
On a soundstage in a desert in New Mexico meant to look like a melting ice sheet in Greenland, things are running way behind schedule. As over-qualified-but-under-recognized director Maria tries to salvage her big-budget thriller about climate change and eco-terrorism, her cast and screenwriter waste precious minutes of daylight with error-ridden mis-takes and behind-the-scenes drama. Bess Wohl’s startlingly funny new play examines what is worth saving and what isn’t—especially when we’re facing the end of the world.
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Twilight Bowl
By Rebecca Gilman
Directed by Erica WeissSeptember 24 – October 8, 2017
Cousins Sam and Jaycee grew up together in a small Wisconsin town. Sam, who sharpened her bowling skills at the local alley, is now heading to college with a bowling scholarship. But Jaycee’s future isn’t looking so bright. As the young women and their friends face adulthood, the alley becomes a place to celebrate, mourn and forge new identities. But can their bonds survive even as their paths diverge? And is success always earned, or is it sometimes a matter of luck?
Staged Readings (Script-in-Hand Concert Readings
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How to Catch Creation
By Christina Anderson
Directed by Jess McLeodFriday, October 5 at 10:30am
In the mid-1960s, a black, queer, feminist writer’s life is changed when her girlfriend tells her some unexpected news. 50 years later, the reverberations of that moment still echo in the lives of four individuals in the rapidly changing city of San Francisco. Christina Anderson’s stunning and complex examination of the universal act of creation—creation of life, of family, of art—spans space and time to inspire a new generation of makers and lovers.
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Eden Prairie, 1971
By Mat Smart
Directed by Henry WishcamperFriday, October 6 at 2pm
On the night Apollo 15 lands on the moon, a draft dodger steals home to Eden Prairie, Minnesota from Canada. He risks arrest to deliver a message to a young woman from his high school class. This beautifully etched play challenges notions of our own bravery and the true cost of freedom.
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POSTNATION
Conceived and Directed by Mikhael Tara Garver
Friday, October 6 at 1pm & 4:30pm
Saturday, October 7 at 11am & 5pm
Performances begin at the coat check in the Goodman Lobby.Immersive theatre artist Mikhael Tara Garver will present sections from her work-in-progress, POSTNATION. This community engaged site-specific commission explores the U.S. postal system—which was built prior to the creation of the federal government, and grew in response to immigration and migration movements—to explore the intersecting languages and cultures of Chicago. POSTNATION asks the question: How do we continue to take leaps of faith in a system we see as broken?
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The Untranslatable Secrets of Nikki Corona
Written and Directed by José Rivera
Saturday, October 7 at 10am
When Nikki’s twin sister Abril commits suicide, Nikki wishes she could tell Abril just one more thing. She seeks guidance from an organization that arranges for dying people to carry messages to the already dead—satisfaction not guaranteed. Nikki’s messenger, Orlando, promises to try to find Abril, but he has no idea what awaits him once he succumbs to cancer. Whimsical and grotesque, The Untranslatable Secrets of Nikki Corona examines grief, regret and our unflagging hope for meaning in our lifetimes—and beyond.
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We’re Only Alive for A Short Amount of Time
Written and Performed by David Cale
Songs by David Cale
Arranged by Matthew Dean Marsh
Directed by Tony SpecialeSaturday, October 7 at 2am
Growing up in an ugly English industrial town, writer and performer David Cale escaped the volatility of his parents’ marriage by singing Petula Clark songs and tending to the tropical birds in the Bird and Animal Hospital he built in a garden shed—until a violent act changed everything. Weaving together original songs and achingly beautiful writing, Cale embodies this vivid tale about learning to live when death is suddenly everywhere.