Artist Bio

TOM GIBBONS (Sound Design) Recent credits include Hamlet (West End); A View From the Bridge (Young Vic/West End/Broadway/Center Theatre Group/Kennedy Center, Olivier Award nomination for Best Sound Design); Life of Galileo, Happy Days, A Season in the Congo and Disco Pigs (The Young Vic); Hedda Gabler, Places and Things (Olivier Award for Best Sound Design), Sunset At The Villa Thalia, The Red Barn, People (National Theatre/West End); Les Misérables (Wermland Opera, Sweden); The Lorax (The Old Vic); The Crucible (Broadway); Oresteia (Almeida Theatre/Trafalgar Studios); Anna Karenina (Manchester Royal Exchange); The Moderate Soprano and Elephants (Hampstead Theatre); White Devil and As You Like It (Royal Shakespeare Company); Translations and Plenty (Sheffield Crucible); Mr. Burns…; 1984 (Almeida Theatre/West End/Broadway); The Absence of War and Romeo & Juliet (Headlong); Lion Boy (Complicite); Henry IV and Julius Caesar (Donmar Warehouse/St. Ann’s Brooklyn); Grounded (Gate Theatre); The Spire (Salisbury Playhouse); London, The Angry Brigade and Wasted (Paines Plough); Roundabout Season (Shoreditch Town Hall, Paines Plough); The Rover (Hampton Court Palace); Love Love Love (Royal Court Theatre); Dead Heavy Fantastic (Liverpool Everyman) and Chalet Lines, The Knowledge, Little Platoons and 50 Ways To Leave Your Lover (Bush Theatre).