(Bio as of January 2022)
Rebecca Gilman is an artistic associate at Goodman Theatre. Her plays include Luna Gale; A True History of the Johnstown Flood; Dollhouse; Boy Gets Girl; Spinning Into Butter; Blue Surge (all of which were originally produced by the Goodman); Soups, Stews, and Casseroles: 1976 and The Crowd You’re in With (also at the Goodman); The Glory of Living; The Sweetest Swing in Baseball and The Heart is a Lonely Hunter. Gilman is the recipient of a Guggenheim Fellowship, The Harold and Mimi Steinberg American Theatre Critics Association New Play Award, The Harper Lee Award, The Scott McPherson Award, The Prince Prize for Commissioning New Work, The Roger L. Stevens Award from the Kennedy Center Fund for New American Plays, The Evening Standard Award for Most Promising Playwright, The George Devine Award, The Theatre Masters Visionary Award, The Great Plains Playwright Award, a Global Connections Grant by Theatre Communications Group, an American Scandinavian Foundation Creative Writing Grant and an Illinois Arts Council playwriting fellowship. Boy Gets Girl received an Olivier nomination for Best New Play. Gilman was named a finalist for the 2001 Pulitzer Prize for The Glory of Living. She is a member of the Council of the Dramatists Guild of America and a board member of the ACLU of Illinois. A graduate of the MFA in playwriting program from the University of Iowa, Gilman is now a professor of playwriting and screenwriting at Northwestern University as part of its MFA in Writing for the Screen and Stage program. In 2016, she was inducted into the Alabama Writers Hall of Fame.