St. Nicholas

Jan 9 - Jan 27, 2019 In the Owen

  • "A vicious delight" – The Arts Review

“Spellbinding…Brendan Coyle is excellent in this chilling vampire monologue” (Time Out London)

When a jaded Dublin theater critic abandons his ordinary life in pursuit of a beautiful young actress, his desires lead him to strike an irreversible bargain with a band of modern-day vampires. Olivier Award-winner Brendan Coyle (“Mr. Bates” of Downton AbbeyMary Queen of ScotsPaths to Freedom) stars in this intimate thriller by Conor McPherson—“the finest playwright of his generation” (The New York Times) and author of Shining CityThe Weir and The Seafarer. A limited engagement direct from London’s internationally renowned Donmar Warehouse.

For mature audiences.

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ENHANCED PERFORMANCES

Accessibility

Join us for any of the following accessible performances:

Questions? Please contact 312.443.3800 (voice), 312.443.3829 (TTY/TDD) or email Access@GoodmanTheatre.org

More details regarding the full range of accessibility services at the Goodman can be found here >>

 American Sign Language-Interpreted Performance: Friday, January 25 at 8pm

For reserved seating for this service, use promo SIGN.

 Touch Tour and  Audio-Described Performance
Saturday, January 26 | 12:30pm Touch Tour; 2pm Performance

For reserved seating for this service, use promo AUDIO. Reservations for the touch tour are available at check-out for no additional charge. For more information, please call the Box Office or email Access@GoodmanTheatre.org

 Open-Captioned Performance: Sunday, January 27 at 2pm

For reserved seating for this service, use promo OPEN.

For a full description of all the accessibility features for St. Nicholas, including information on large print and braille programs, assistive listening devices, accessible seating and further details on our accessible performances, please click below.

SEE ALL ACCESSIBILITY INFORMATION FOR THIS PRODUCTION



Donmar Warehouse

The Donmar Warehouse's internationally-acclaimed revival of St. Nicholas recently concluded a sold-out engagement at the theater's intimate studio space, followed by an extended run at the Dublin Theatre Festival.