6a) On the Exhale, Playwright

Martín Zimmerman
Martín Zimmerman

MARTĺN ZIMMERMAN (Playwright, On the Exhale) is a multi-ethnic, bilingual playwright whose plays include Seven Spots On The Sun,  White Tie BallThe Making Of A Modern Folk HeroThe Solid Sand Below and Let Me Count The Ways. His works have been produced or developed at The Kennedy Center, Goodman Theatre, Cincinnati Playhouse in the Park, Oregon Shakespeare Festival, La Jolla Playhouse, LCT3, New York Theatre Workshop, Victory Gardens Theater, The Eugene O’Neill Theater Center’s National Playwrights Conference, Philadelphia Theatre Company, Marin Theatre Company, The Playwrights’ Center, Alliance Theatre, A.C.T. (Seattle), PlayPenn, Icicle Creek Theatre Festival, American Theater Company, The Theatre @ Boston Court, Chicago Dramatists, Primary Stages, Teatro Vista, Playwrights Foundation, Cara Mía Theatre Co, Seven Devils Playwrights Conference, The City of Chicago’s Department of Cultural Affairs, Theatre Row, Illinois Shakespeare Festival, Borderlands Theater, Source Festival, The Gift, Collaboraction, Red Tape, The University of Texas at Austin and Duke University. He also has upcoming projects at La Jolla Playhouse, Rattlestick Playwrights Theater and Borderlands Theater. Mr. Zimmerman is the recipient of the Terrence McNally New Play Award, Steinberg/ATCA New Play Award Citation, Humanitas Prize New Voices Award, Sky Cooper New American Play Prize, McKnight Advancement Grant, Jerome Fellowship, Carl Djerassi Playwriting Fellowship, National New Play Network’s Smith Prize and a Core Apprenticeship at The Playwrights’ Center. He has been the Alliance for Latino Theater Artists (ALTA) Artist of the Month, was a member of the 2011/2012 Playwrights’ Unit at Goodman Theatre, is a Playwright in Residence at Teatro Vista, a Resident Playwright at Chicago Dramatists, a finalist for the Kendeda Competition, the Heideman Award and a runner-up for the National Latino Playwriting Award. He received his MFA in playwriting from The University of Texas at Austin and BAs in theater studies and economics from Duke University.